Vinod Mirani gives us his weekly verdict.
Total Dhamaal would be unwatchable without Madhuri's spunk and bossy swag playing off Anil Kapoor's bellyaching, bugged half's protests, says Sukanya Verma.
Sony Pictures was successfully sued for fraudulent positive reviews.
Pixels could very well be the most unremarkable Hollywood film of the year, says Paloma Sharma.
A good pace always works in an action film's favour and Ghost Protocol adheres to this mantra.
Vinod Mirani gives us his weekly verdict.
If I were to review it in one word, I'd say Ek Villain is... Unnecessary, writes Raja Sen.
The Twilight Saga: New Moon could easily dislodge the reigning champion 2012 at the box office worldwide and perhaps earn as much as $200 million over the weekend.
Daddy Cool is a terrible copy of Death At A Funeral. Avoid.
The Gift is much more than a boilerplate Hollywood horror film, says Raja Sen.
'Jurassic World is a perfectly passable blockbuster with a B-movie heart -- but why on earth would you want to watch something so unremarkable when Mad Max: Fury Road is still in theatres and gets better on each viewing?' asks Raja Sen.
The new Jumanji can easily be enjoyed by those unfamiliar with the original, feels Sukanya Verma.
The film is achingly stupid and beyond ludicrous.
After four very popular albums this year, Ready, Bodyguard, Dum Maaro Dum and Mausam, Pritam dishes out yet another album that is a mix of sure-shot winners and drab space fillers.
Force 2 loses steam over hastily established grievances, vendetta schemes and quick fix conclusions, feels Sukanya Verma.
'I have never played a character like that before -- very non-glamourous and hard-hitting.'
'The idea is to chart your own path, live your life authentically, not be scared to ask questions and not be scared to demand to sit at the table.' 'They may not let you sit today, but they will, if you keep demanding it.'
Sukanya Verma salutes the late actor's spectacular cinematic legacy.
Grace of Monaco is a shoddily written film, says Paloma Sharma.
Many of them were expected to cover a reasonable distance, but audiences gave them the cold shoulder.
Much like a bumbling partner in a three-legged race, the second half of Insidious: Chapter 3 lets its first half down, says Palma Sharma.
If you're a Hollywood aficionado, Capital Film Works' Tamil movie starring Prasanna and Sibiraj, is not much fun.
Get your lowdown on what's going on in the world of Hollywood, right there!
Popping the question to Nandita Mahtani, Commando style at an army camp while rappelling down a wall. Surrounded by 300 army men...
Hindi cinema has not just explored various instances of brute force, but often glorified its misogyny.
Mundasupatti is an entertaining rom-com, writes S Saraswathi.
...And that's a very good thing, feels Sukanya Verma.
Despite its many flaws, Tamilselvanum Thaniyar Anjalum surprisingly keeps you entertained, feels S Saraswathi.
Tiger Zinda Hai returns to the same moronic space where it's all about slow-motion Salman, his checkered scarf, his fleeting shirtless-ness, his unrealistically beefed up body and a taken-for-granted indestructibility, says Sukanya Verma.
Mammootty plays a legal advisor and gives a decent performance in the film.
Tarzan is one of those rare scripts that Hollywood should have faxed to Bollywood and let them do it their way because only Karan Johar could have saved this film with a decent love triangle and loads of family melodrama, writes Paloma Sharma.
Malayalam film The Dolphins gets preachy after a while, says Paresh C Palicha.
Lucy could have used more action and a better soundtrack, feels Paloma Sharma.
We saw Judwaa 2, Golmaal Again and Secret Superstar drive box office collections. Now, watch out for Padmavati and Tiger Zinda Hai in December.
Story wise, Raaz Reboot is full cliches and will remind of you of quite a few horror flicks both Bollywood and Hollywood, says Namrata Thakker!
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